Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back. Neri does the best he can to save the thief's life, but does he have a chance against the fate? Moreover, Neri has to fight the death sin of vanity itself...from an unexpected side...

Around the year 1500, the Italian priest Don Filippo Neri helps street kids and orphans in his poor little chapel. He is no clergyman by the book, but a true believer in terms good and bad and he teaches this to his children. Neri is not very well-seen by the church and his only "friend" is the dry, humorless Ignatius De Loyola. But Neris real counterpart is the devil himself, working in endless incarnations in Neris direct neighborhood, trying to seduce his kids. His newest kid is the young thief Cirifischio, making a lot of problems. When Cirifischio has an argument with a young boy of a local aristocrat, the boy turns out to be a girl, the young Leonetta, some kind of a sex slave for her owner. Neri adopts her too, and the young people fall in love. 15 Years later, the devil is back and leads Cirifiscio onto a murder. Now lawless, the thief must flee Neri and leave Leonetta back. Neri does the best he can to save the thief's life, but does he have a chance against the fate? Moreover, Neri has to fight the death sin of vanity itself...from an unexpected side...

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

在他的第三个网飞特别节目中，喜剧演员特雷弗·诺亚谈论了学习德语、说死者的坏话、评判恐怖电影中的人、处理现代通讯以及在苏格兰点印度菜。

世界のインターネット業界で今、劇的な地殻変動が起きつつある。震源地は検索エンジンの雄、「グーグル」だ。 　　八年前スタンフォード大学の学生二人が学生寮から立ち上げたベンチャー企業は、今や時価総額18兆円、ITの巨人マイクロソフトの地位を揺るがそうとしている。 　　躍進の原動力は、ネット検索サービス。世界でグーグルが検索される回数は一日10億回、世界中すべての人間が一日一度はグーグルに向かってキーワードを打ち込むといわれている。世界中が情報をグーグルに頼り、かつ頼らざるをえなくなりつつある。 　　そのインパクトは「グーグル革命」とも呼ばれ、「文明に対し人間が文字を発明して以来の衝撃をもたらしつつある」という指摘もある。 　　検索サービスを核に進化するインターネットの新たな波が、我々の暮らしや社会にどのような影響を及ぼしつつあるのかを伝える。

世界のインターネット業界で今、劇的な地殻変動が起きつつある。震源地は検索エンジンの雄、「グーグル」だ。 　　八年前スタンフォード大学の学生二人が学生寮から立ち上げたベンチャー企業は、今や時価総額18兆円、ITの巨人マイクロソフトの地位を揺るがそうとしている。 　　躍進の原動力は、ネット検索サービス。世界でグーグルが検索される回数は一日10億回、世界中すべての人間が一日一度はグーグルに向かってキーワードを打ち込むといわれている。世界中が情報をグーグルに頼り、かつ頼らざるをえなくなりつつある。 　　そのインパクトは「グーグル革命」とも呼ばれ、「文明に対し人間が文字を発明して以来の衝撃をもたらしつつある」という指摘もある。 　　検索サービスを核に進化するインターネットの新たな波が、我々の暮らしや社会にどのような影響を及ぼしつつあるのかを伝える。

Gay men Gu and Chang meet on a dating app, and head to a hotel for a hookup. The two strangers start with some small talk to break the ice, but Gu seems anxious, prompting Chang to ease him into the mood. As their conversation progresses, Chang discovers that Gu is hiding a secret. Director's statement: When transitioning from being a film critic to a director, I aim to make my identity evident in my work. Therefore, I juxtapose The Gay Brothers, the first queer film in film history, with a modern hookup scene between two gay men, highlighting not only the existence of this rare work but also the historical significance of on-screen same-sex intimacy. Also, I use the transition in sound and color, such as the shift from black-and-white to color imagery, to draw an analogy to the progress of LGBTQ+ rights in Taiwan.

Gay men Gu and Chang meet on a dating app, and head to a hotel for a hookup. The two strangers start with some small talk to break the ice, but Gu seems anxious, prompting Chang to ease him into the mood. As their conversation progresses, Chang discovers that Gu is hiding a secret. Director's statement: When transitioning from being a film critic to a director, I aim to make my identity evident in my work. Therefore, I juxtapose The Gay Brothers, the first queer film in film history, with a modern hookup scene between two gay men, highlighting not only the existence of this rare work but also the historical significance of on-screen same-sex intimacy. Also, I use the transition in sound and color, such as the shift from black-and-white to color imagery, to draw an analogy to the progress of LGBTQ+ rights in Taiwan.

故事恰巧发生在21世纪末，体育赛事中的外援已经突破人类范围，全面引入机器人运动员。主人公所在的贫穷棒球社，苦于经费不足，从来都没有引进过一名机器人运动员，虽然有规则规定——在一方没有机器人参加比赛的情况下，对方也不得派机器人上场比赛，但是由于实力不济，长时期维持屡战屡败的战绩。　而此时，队中主力之一碍于升学压力补习繁忙推出了棒球社。无奈之下，棒球社不得不在下赛季赛事开始前补充成员。在友人的资助下，棒球社终于有购买机器人的经费了。只是这点微薄的经费远远不足以购买先进的运动型机器人。最后，令人吃惊的是，加入棒球社的成员是一个二手充电型女仆机器人。　这个中古机器人的名字就叫“梓”。梓，为了帮助大家，永远是竭尽全力的。

故事恰巧发生在21世纪末，体育赛事中的外援已经突破人类范围，全面引入机器人运动员。主人公所在的贫穷棒球社，苦于经费不足，从来都没有引进过一名机器人运动员，虽然有规则规定——在一方没有机器人参加比赛的情况下，对方也不得派机器人上场比赛，但是由于实力不济，长时期维持屡战屡败的战绩。　而此时，队中主力之一碍于升学压力补习繁忙推出了棒球社。无奈之下，棒球社不得不在下赛季赛事开始前补充成员。在友人的资助下，棒球社终于有购买机器人的经费了。只是这点微薄的经费远远不足以购买先进的运动型机器人。最后，令人吃惊的是，加入棒球社的成员是一个二手充电型女仆机器人。　这个中古机器人的名字就叫“梓”。梓，为了帮助大家，永远是竭尽全力的。